Fresh from a special mention award at the 68th Venice Film Festival for his experimental short All Lines Flow Out, the former national sailor turned artist talks to Patrick Benjamin.

All Lines Flow Out was started because of my curiosity about how waterways functioned within Singapore. I have always observed and been fascinated by people having activities in the longkangs.

I have always wondered why the government romanticizes a canal into a river. Why must they blind us from seeing a longkang for what it actually is? It’s not like we have a great mountain as our chief water source.

My fondest childhood memories are based on growing up in Kampong Mata Ikan, Changi. I remember my grandmother making white paint from seashells. The entire process was quite cool but the paint flaked off easily.

I didn’t like the experience of studying in a boarding school in Surrey because it wasn’t nice at all to be constantly reminded that you are a Chinese.

You don’t even need to be insulted to feel the difference.

Through that experience, I learnt how minorities feel in Singapore and also about the physical and psychological differences that society foists on us.

Personal heroes tend to disappoint me.

What I discovered in Venice was that everyone, including established names, is struggling with their craft and it’s really important to learn how to enjoy our struggles.

Art directing for a film is the most miserable experience because you don’t stop working. Even the camera crew has more breaks than me.

In Singapore, most art spaces have a bad flow which prevents you from fully enjoying and discovering a work.

Another problem in the local art scene is the glut of group shows with flimsy themes and artists told to create work that fits in.

When Li Lin and I started working together in 2010, we were afraid that it would be a strain on our marriage, but we eventually realized that it’s important to work with someone you trust.

I was taking photographs of big yachts to supplement my income, when China’s America Cup organizers asked me if I was keen to take part in the trials to make the team.

Don’t believe the hype, the human imagination is limited.

Sailing for China in the America’s Cup was a way of exorcising the bad feelings and fears about the sport which I harboured.

Sports brings fleeting happiness and is reflective about the madness of life but art has the power to freeze a moment and allows you to be contemplative.

Very early in my life, I made up my mind to be an atheist.

I have alektorophobia because I was attacked by a chicken when I was a kid. In fact, I am more afraid of the feathers on the rotan than the actual caning. I don’t eat chicken and even chicken shaped mock meat gets me all nervy.

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